- Title Pages
- Introduction: Drawing Conflicts
- 1. Time under Siege
- 2. Inside and Outside the Frame: Joe Sacco’s Safe Area Goražde
- 3. Drawing on the Facts: Comics Journalism and the Critique of Objectivity
- 4. Views from Nowhere: Journalistic Detachment in Palestine
- 5. Mapping Bosnia: Cartographic Representation in Joe Sacco’s Graphic Narratives
- 6. A Thousand Plateaus: Mining Entropy in Days of Destruction, Days of Revolt
- 7. The Politics of Space in Joe Sacco’s Representations of the Appalachian Coalfields
- 8. Little Things Mean a Lot: The Everyday Material of Palestine
- 9. John’s Story: Joe Sacco’s Depiction of “Bare Life”
- 10. Sacco with Badiou: On the Political Ontology of Comics
- 11. Joe Sacco’s Comics of Performance
- 12. Overtaken by Further Developments: The Form of History in Footnotes in Gaza
- 13. Graphic Representations of Language, Translation, and Culture in Joe Sacco’s Comics Journalism
- 14. What Washes up onto the Shore: Contamination and Containment in “The Unwanted”
- 15. Teaching World Politics with Joe Sacco: Safe Area Goražde in the Classroom
- Appendix: Joe Sacco’s Primary Works
- The Comics of Joe Sacco
- Daniel Worden
- University Press of Mississippi
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