- Title Pages
- Introduction: Drawing Conflicts
- 1. Time under Siege
- 2. Inside and Outside the Frame: Joe Sacco’s <i>Safe Area Goražde</i>
- 3. Drawing on the Facts: Comics Journalism and the Critique of Objectivity
- 4. Views from Nowhere: Journalistic Detachment in <i>Palestine</i>
- 5. Mapping Bosnia: Cartographic Representation in Joe Sacco’s Graphic Narratives
- 6. A Thousand Plateaus: Mining Entropy in <i>Days of Destruction, Days of Revolt</i>
- 7. The Politics of Space in Joe Sacco’s Representations of the Appalachian Coalfields
- 8. Little Things Mean a Lot: The Everyday Material of <i>Palestine</i>
- 9. John’s Story: Joe Sacco’s Depiction of “Bare Life”
- 10. Sacco with Badiou: On the Political Ontology of Comics
- 11. Joe Sacco’s Comics of Performance
- 12. Overtaken by Further Developments: The Form of History in <i>Footnotes in Gaza</i>
- 13. Graphic Representations of Language, Translation, and Culture in Joe Sacco’s Comics Journalism
- 14. What Washes up onto the Shore: Contamination and Containment in “The Unwanted”
- 15. Teaching World Politics with Joe Sacco: <i>Safe Area Goražde</i> in the Classroom
- Appendix: Joe Sacco’s Primary Works
University Press of Mississippi requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.