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From Daniel Boone to Captain AmericaPlaying Indian in American Popular Culture$
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Chad A. Barbour

Print publication date: 2016

Print ISBN-13: 9781496806840

Published to University Press of Mississippi: January 2018

DOI: 10.14325/mississippi/9781496806840.001.0001

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date: 18 June 2018

The Indian Male Body and the Heroic Ideal

The Indian Male Body and the Heroic Ideal

Tecumseh and the Indians of Parkman and Cooper

Chapter:
(p.14) Chapter One The Indian Male Body and the Heroic Ideal
Source:
From Daniel Boone to Captain America
Author(s):

Chad A. Barbour

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496806840.003.0002

Chapter one examines the existence of the Indian male body as an object of admiration and repulsion. On one hand, the Indian male body is glamorized as a specimen of Classical beauty, an ideal of physical and aesthetic form. On the other hand, that Indian body possesses the potential for danger and physical harm. Examples such as Tecumseh, Uncas, and Francis Parkman's descriptions of Native men demonstrate this contradictory balance of admiration and repulsion, a dynamic that both embodies and disembodies the Indian male figure. This chapter shows how American art and literature in the nineteenth century attempts to neutralize the perceived threat of the Indian male body through artistic objectification of that body, an objectification that aims to construct an ideal for white manhood.

Keywords:   male body, the Indian, American art, American literature, white manhood

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