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The Survival of Soap OperaTransformations for a New Media Era$
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Sam Ford, Abigail De Kosnik, and C. Lee Harrington

Print publication date: 2010

Print ISBN-13: 9781604737165

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781604737165.001.0001

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date: 22 September 2018

Perspective

Perspective

Scholar Louise Spence on Comparing the Soap Opera to Other Forms

Chapter:
(p.130) Perspective
Source:
The Survival of Soap Opera
Author(s):

Abigail De Kosnik

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781604737165.003.0017

This chapter presents Spence’s views about comparisons of soap operas with other texts and forms. Spence believes that the notion of “soap opera” still has cultural meaning. Whether we are referring to the essential features of the genre or not, we are still able to communicate when using the term. In most cases, what we are communicating is that a film, TV show, story, or telling of an event that is referred to as “a soap opera” is in unsuccessful competition with some other narrative form that is privileged and valued by the comparison. This tendency to contrast other narrative forms with soap operas draws on deeply entrenched dissonances in our discourses on popular culture and asks us to consider the worth we place on originality and realism in telling stories.

Keywords:   soap operas, television serials, cultural meaning, realism, popular culture

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