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Global NeorealismThe Transnational History of a Film Style$
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Saverio Giovacchini and Robert Sklar

Print publication date: 2011

Print ISBN-13: 9781617031229

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781617031229.001.0001

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date: 19 October 2017

Epilogue

Epilogue

Neorealism, Cinema of Poetry, and Italian Contemporary Cinema

Chapter:
(p.240) Epilogue
Source:
Global Neorealism
Author(s):

Silvia Carlorosi

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617031229.003.0015

This chapter looks at examples of neorealism in recent Italian cinema. It focuses on two films—Andrea and Antonio Frazzi’s Certi bambini (A Children’s Story, 2004), and Matteo Garrone’s Gomorra (Gomorrah 2008)—which demonstrate how contemporary Italian cinema is dealing with its neorealist legacy, pushing it in the direction of what we can call, using Pier Paolo Pasolini’s intuition, a “cinema of poetry.” The chapter analyzes how the “cinema of poetry” of these films can be considered the contemporary legacy of neorealism, with its main interest in representing the real, even in its multifaceted expressions.

Keywords:   Italian films, neorealist films, Andrea Frazzi, Antonio Frazzi, Matteo Garrone, Pier Paolo Pasolini

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