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Transatlantic Roots MusicFolk, Blues, and National Identities$
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Jill Terry and Neil A. Wynn

Print publication date: 2012

Print ISBN-13: 9781617032882

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781617032882.001.0001

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date: 15 November 2018

Some Reflections on “Celtic” Music

Some Reflections on “Celtic” Music

Chapter:
(p.246) 13 Some Reflections on “Celtic” Music
Source:
Transatlantic Roots Music
Author(s):

Duck Baker

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617032882.003.0013

This chapter presents the reflections on Celtic music of Duck Baker, an American musician living in Britain who plays both U.S. and British roots music and fusions of the two. In so doing, Baker joins the other writers in the preceding chapters in debating the central issue of authenticity. The chapter shows that this issue is bound up with an honest desire on the part of roots musicians to value and nurture tradition from whenever and wherever that tradition comes. That is, after all, how and why the music survives.

Keywords:   Celtic music, American musicians, roots music, authenticity

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