Beyond The Chinese Connection: Contemporary Afro-Asian Cultural Production
Beyond The Chinese Connection: Contemporary Afro-Asian Cultural Production
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Abstract
This book explores the cultural and political exchanges between African Americans, Asian Americans, and Asians over the last four decades. To do so, it examines such cultural productions as novels (Frank Chin’s Gunga Din Highway [1999], Ishmael Reed’s Japanese By Spring [1992], and Paul Beatty’s The White Boy Shuffle [1996]); films (Rush Hour 2 [2001], Unleashed [2005], and The Matrix trilogy [1999–2003]); and Japanese animation (Samurai Champloo [2004]), all of which feature cross-cultural conversations. In exploring the ways in which writers and artists use this transferal, the author traces and tests the limits of how Afro-Asian cultural production interrogates conceptions of race, ethnic identity, politics, and transnational exchange. Ultimately, the book reads contemporary black/Asian cultural fusions through the recurrent themes established by the films of Bruce Lee, which were among the first—and certainly most popular—works to use this exchange explicitly. As a result of such films as Enter the Dragon (1973), The Chinese Connection (1972), and The Big Boss (1971), Lee emerges as both a cross-cultural hero and global cultural icon who resonates with the experiences of African American, Asian American, and Asian youth in the 1970s. His films and iconic imagery prefigure themes that reflect cross-cultural negotiations with global culture in post-1990 Afro-Asian cultural production.
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Front Matter
- Introduction
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1
Afro-Asian Cultural Production and the Rise of the Global Culture
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2
“You Can Stay at My Crib, I Will Show You My ’Hood”: Interethnic Male Friendship
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3
“Scheming, Treacherous, and Out for Revenge”: Ethnic Imperialism
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4
“Some Things Never Change, and Some Things Do”: Interethnic Conflict and Solidarity
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End Matter
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