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Black Folklore and the Politics of Racial Representation$
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Shirley Moody-Turner

Print publication date: 2013

Print ISBN-13: 9781617038853

Published to University Press of Mississippi: May 2014

DOI: 10.14325/mississippi/9781617038853.001.0001

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date: 15 December 2017

Uprooting the Folk

Uprooting the Folk

Paul Laurence Dunbar’s Critique of the Folk Ideal

Chapter:
(p.101) 4 Uprooting the Folk
Source:
Black Folklore and the Politics of Racial Representation
Author(s):

Shirley Moody-Turner

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617038853.003.0005

Chapter four argues that Paul Laurence Dunbar, like the Hampton folklorists, had to negotiate the politics of being objectified as a representative embodiment of the African American folklore and/or folk communities he chose to represent. In his literary works, masking and dissimilation become his vehicles for exposing the many intertwined literary and cultural conventions that determined the range of black racial representation. In his 1902 novel, The Sport of the Gods, he critiques the idealized notions of folklore through the text’s depiction of tensions within the Southern folk community. He further challenges the construction of folklore as a Southern, rural phenomenon by introducing a new geographic terrain--the urban North--in which to imagine black folklore, thereby introducing into African American literature alternative geographies for locating African American folklore.

Keywords:   Paul Laurence Dunbar, Sport of the Gods, Masking, African American folklore, Racial Representation

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