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West African Drumming and Dance in North American UniversitiesAn Ethnomusicological Perspective$
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George Worlasi Kwasi Dor

Print publication date: 2014

Print ISBN-13: 9781617039140

Published to University Press of Mississippi: September 2014

DOI: 10.14325/mississippi/9781617039140.001.0001

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date: 15 December 2017

World Music And Globalization

World Music And Globalization

West African Drum-Dance Ensembles

Chapter:
(p.225) 7 World Music And Globalization
Source:
West African Drumming and Dance in North American Universities
Author(s):

George Worlasi

Kwasi Dor

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617039140.003.0007

Chapter 7 focuses on globalizing external factors—terrains, institutions, groups, and personalities—on the genre's development, and also examines ethnomusicological research on African rhythm and/or dance drumming's impact on scholarship, training of lead drummers, and recruitment of ensemble directors. Further, dance drumming is integral to study-abroad programs to West Africa. Chapter 7 acknowledges contributions of cultural and academic institution and key players in the development of government-sponsored dance drumming in Ghana--Arts Council of Ghana, Ghana National Dance Ensemble, and the Institute of African Studies, University of Ghana, the human agencies of Philip Gbeho, Albert Mawere Opoku, and J. H. Kwabena Nketia. Additionally, perspectives from artilces by Charry, Polak, Frieberg, and Hill illuminate Les Ballet Africans’ contributions to the global popularity of Mande music. Chapter 7 concludes by valorizing the traditional knowledge, especially, the imaginative creativity of the indigenous musicians who originated these sublime dance genres of West Africa.

Keywords:   Chapter keywords, Study Abroad and dance drumming, Cultural and academic Institutions, National ensembles and personalities, Dance drumming and research, Indigenous musicians, knowledge, creativity

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