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Hip Hop on FilmPerformance Culture, Urban Space, and Genre Transformation in the 1980s$
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Kimberly Monteyne

Print publication date: 2013

Print ISBN-13: 9781617039225

Published to University Press of Mississippi: May 2014

DOI: 10.14325/mississippi/9781617039225.001.0001

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date: 15 December 2017

The Sound of the South Bronx

The Sound of the South Bronx

Wild Style Reinvents the Urban Musical

Chapter:
(p.85) 2 The Sound of the South Bronx
Source:
Hip Hop on Film
Author(s):

Kimberley Monteyne

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617039225.003.0003

Chapter 2 offers a close study of Charlie Ahearn’s groundbreaking independent hip hop productionWild Style.It reveals how folk musical conventions operating in the film were used to deploy a radical and politically engaged cinema that reformed contemporary perceptions of the South Bronx as an alien landscape riddled with crime and drug abuse. The notion of “home”—central to American musical film—is examined in Wild Style in relation to the historical devaluation of “home” in urban communities of color. This chapter also addressesthe material condition of “home” in contemporary inner city life. In conclusion, the chapter turns to a discussion of Wild Style’s reflexive tendencies in relation to the broader history of musical film and hip hop artistic practice, noting how it dynamically harnessed the tension between two traditionally adverse modes of filmmaking—the documentary and the musical.

Keywords:   Wild Style, documentary, South Bronx, folk musical, urban communities

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