Abstract
Resisting Paradise asserts the importance of both tourism and diaspora in shaping Caribbean cultural and sexual identity. It examines Caribbean cultural producers who contend with the region’s overdependence on the tourist industry and address the many ways that tourism continues the legacy of colonialism. The book explores the relationship between culture and sex within the production of paradise and investigates the ways in which Caribbean writers, artists, activists, and other cultural producers respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant narratives of history, exposing tourism’s influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel. Resisting Paradise offers an intriguing emphasis on Caribbean and Caribbean diaspora subjects as travelers and as cultural workers contributing to alternative and resistant understandings of tourism in the Caribbean. Through a unique multi-disciplinary approach to comparative literary analysis, interview material, and participant observation, Angelique V. Nixon analyzes the ways Caribbean cultural producers are taking control of representation and sustaining subjectivity. While focused mainly on the Anglophone Caribbean, the study covers a range of geographical territories including Antigua, The Bahamas, Grenada, Haiti, Jamaica, and Trinidad and Tobago. Overall, the book utilizes a transnational feminist postcolonial framework in order to theorize “resisting paradise” and the sexual-cultural politics of tourism. This research posits an intervention within tourism and diaspora studies by making gender and sexuality the center of inquiry and analysis.
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