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This book examines the racialization of Blasians – mixed race people with Black and Asian ancestry – that neither sees them as new or unique, nor as a racial salve to move the United States past the problem of the colour line. The emergence of Blasian celebrities and the analyses of these stars acknowledges that to understand what and who is a Blasian means to first understand hegemonic notions of both Blacks and Asian/Americans. Contextualized against those dominant discourses Blasians explode the narrow boundaries of authenticity around racialized categories. Multiracial people are just as capable as monoracial people of upholding hierarchies of identity, as well as dismantling those hierarchies. Thus, in this book Blasians do not escape race, or erase race, but they do deconstruct normative instantiations of identity. The presence, mobility, and utility of these multiracial celebrities within both U.S. and global racial schemas simultaneously realize and complicate potential alternatives to racial and racist paradigms. These mixed race stars draw attention to how risible and absurd the biological and cultural premises for racialization truly are, and demonstrate potential alternatives for affiliation that do not rely on genetic material.

As a subject of study, “comfort food” is relevant to a number of scholarly disciplines, most obviously food studies, folkloristics, and anthropology, but also American culture studies, cultural studies, global and international studies, tourism, marketing, and public health. This volume explores the concept of “comfort food” primarily within a western context with examples from Atlantic Canada, Indonesia, England, and various ethnic, regional, and religious populations as well as rural and urban residents in the U.S. It includes studies of a wide range of dishes—bologna to chocolate, sweet and savory puddings, fried bread with an egg in the center, dairy products, fried rice, cafeteria fare, sugary fried dough, soul food, and others—exploring ways in which they comfort or in some instances cause discomfort and how they are connected to a sense of emotional well-being. Some essays analyze the phenomenon in daily life; others consider comfort food in the context of cookbooks, films, Internet blogs, literature, marketing, and tourism. Recognizing that what heartens one person might discomfort another, the collection is organized accordingly, from pleasant and comforting to unpleasant or discomforting food experiences. Those foods and food experiences are then related to concepts and issues such as identity, family, community, nationality, ethnicity, class, sense of place, tradition, stress, health, discomfort, guilt, betrayal, and loss, contributing to a deeper understanding of comfort food as a significant social category of human behavior.

On the southern end of the Grand Rue, a major thoroughfare that runs through the center of Port-au-Prince, waits the Haitian capital's automobile repair district. This junkyard of steel and rubber, recycled parts, old tires, and scrap metal might seem an unlikely foundry for art. Yet, on the street's opposite end thrives the Grand Rue Galerie, a working studio of assembled art and sculptures wrought from the refuse. Established by artists André Eugène and Jean Hérard Celeur in the late 1990s, the Grand Rue's urban environmental aesthetics radically challenge ideas about consumption, waste, and environmental hazards, as well as consider innovative solutions to these problems in the midst of poverty, insufficient social welfare, and lack of access to arts, education, and basic needs. This book explores the urban environmental aesthetics of the Grand Rue sculptors and the beautifully constructed sculptures they have designed from salvaged parts and materials. The book constructs an urban ecological framework for understanding these sculptures amid environmental degradation and grinding poverty. The book regards the underdeveloped cities of the global South as alternate spaces for challenging the profit-driven machinations of global capitalism. Above all, the book presents Haitian artists who live on the most challenged Caribbean island, yet who thrive as creators reinventing refuse as art and resisting the abjection of their circumstances.

The supernatural remains extraordinarily popular in literature, television, and film. But one figure has remained in the shadow, the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits presents a history of the figure in the United States and the United Kingdom from the 1920s to the present, focusing on the female ghost in heritage sites, theatre, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions and roles. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Comedic female ghosts in literature and film disrupt gender norms through humor (Topper and Blithe Spirit ). Terrifying and vengeful female ghosts in England and America draw on horror and death to present a challenge to restrictions on mothers (The Woman in Black and La Llorona). The female immigrant experience and the horrors of slavery provide the focus for ghosts who expose history’s silences (The Woman Warrior and Beloved ). Heritage sites use the female ghost as a friendly and inviting but structurally subordinated narrator (The Untold Story and The Ghost of the Castle ). In the twenty-first century, the female ghost expands her influence to become a mother and savior to all humanity (Being Human , U.K. and U.S.) Subversive Spirits brings this figure into the light, exploring her cultural significance in popular culture.

Many artists draw upon folklore to craft films, music, literature, and other elements of popular culture. This book examines how the opposite phenomenon occurs: the use of popular culture in the expressive culture called folklore. Superman is an ideal focus for such as study because of his ubiquity. Though Superman is under the control of a corporation, fans nonetheless have developed a sense of ownership of him, often because of an affinity they feel toward him. Early chapters of this book explore the varieties of this affinity as experienced by individuals and as understood through interviews. Later chapters delve into specific events, such as the Superman Celebration in Illinois, and other modes of expression such as humor, personal narrative, and myth. Superman in Myth and Folklore explores the idea that a fictional character can be foundationally important in morality through fieldwork and interviews. In other words, fans use Superman to think through complex issues in their personal lives, and this book explores how. Despite the focus on fieldwork, there is some attention to the extant literature on Superman, ranging from educational works on science to psychology and history. There is also attention to the mythical aspects of Superman, with analyses of the character through several theories such as structuralism and functionalism. By examining jokes, festival, costuming, and narrative, this book explores the impact a fictional character can have.