Page of

“Who I Am Is Conflicting with This Dress I Got On”: Madea’s Intimate Public and the Possibilities and Limitations of False Disguise

“Who I Am Is Conflicting with This Dress I Got On”: Madea’s Intimate Public and the Possibilities and Limitations of False Disguise

Chapter:
(p.118) Chapter Six “Who I Am Is Conflicting with This Dress I Got On”: Madea’s Intimate Public and the Possibilities and Limitations of False Disguise
Source:
From Madea to Media Mogul
Author(s):
Rachel Jessica Daniel
Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496807045.003.0006

Rachel Daniel explores Madea’s popularity among Black women and also demonstrates how the character successfully functions at the center of Perry’s media output. She explores the many complicated and often contradictory layers of appeal that Perry’s performances of Madea encourage. In doing so, she grapples with some of the ideological and political limitations of this character by investigating Perry’s use of drag as a “false disguise” to perform Madea. Her exploration crests around the investigation of specific social and cultural values that motivate Perry’s unique construction of his famous character. In Daniel’s theorization, Perry’s fan base around Madea represents a powerful, critical, and vocal discourse community--an intimated public--that has supported the media mogul and his contested character despite rampant critiques of the character’s flawed presentation or of Perry’s motives in constructing her.

Keywords:   Madea, Drag, Intimate Public, False Disguise, Representation

Sign In

Copyright © 2020. All rights reserved.
Privacy Policy and Legal Notice