This chapter focuses on the traumatized war veteran and the repressed memory of World War II. The key text is Gene Fowler Jr.'s I Married a Monster from Outer Space (1958), which imagines the monstrous invader as an alien creature masquerading in human form. Underneath the perfect human surface is the grotesquely malformed alien creature—a potent visual metaphor that captures the complexity of the veteran's traumatization, especially when the injury is both psychological and physical in nature. The alien impostors in the other two films discussed in the chapter—William Cameron Menzies's Invadersfrom Mars (1953) and Don Siegel's Invasion of the Body Snatchers (1956)—address the larger impact of the male veteran's presence in the peaceful postwar community. The chapter tracks the disturbance caused by the veteran as it spreads from romantic couples to families and to entire towns and the nation at large.
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