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Openness of ComicsGenerating Meaning within Flexible Structures$
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Maaheen Ahmed

Print publication date: 2016

Print ISBN-13: 9781496805935

Published to University Press of Mississippi: January 2018

DOI: 10.14325/mississippi/9781496805935.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 30 November 2021

Instrumentalizing Openness

Instrumentalizing Openness

Chapter:
(p.3) Introduction Instrumentalizing Openness
Source:
Openness of Comics
Author(s):

Maaheen Ahmed

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496805935.003.0001

This first part of the monograph introduces Umberto Eco's concept of the opera apertaand links it to the workings of comics as explained through the comics theories of Scott McCloud, Thierry Groensteen, and Pierre Fresnault-Deruelle. The potential for openness in comics is seen as being literalized by the disjointedness and gaps, which are essential to the very form of comics. Specific aspects harbouring the potential for openness are located in various formal and content-related features. The former include the manipulation of word-image relationships, page layouts, and visual styles whereas the latter focus on themes, characters, and references to other media and figuration. This part concludes with an overview of the comics analysed in Part Two.

Keywords:   American and Franco-Belgian comics theory, Open work of art, Gutters, Self-reflexivity, Ambiguity

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