Show Summary Details
- Title Pages
- Foreword
- Acknowledgments
- Introduction
-
Chapter One “Tyler Perry Presents …”: The Cultural Projects, Partnerships, and Politics of Perry’s Media Platforms -
Chapter Two From the Margins to Center Stage: Tyler Perry’s Popular African American Theatre -
Chapter Three Tyler Perry, T.D. Jakes, and the Birth of Gospel Cinema -
Chapter Four Worship at the Altar of Perry: Spectatorship and the Aesthetics of Testimony -
Chapter Five “All My Life I Had to Fight”: Domestic Trauma and Cinephilia in Tyler Perry’s Archive of Feelings -
Chapter Six “Who I Am Is Conflicting with This Dress I Got On”: Madea’s Intimate Public and the Possibilities and Limitations of False Disguise -
Chapter Seven One Man Hollywood: The Decline of Black Creative Production in Post-Network Television -
Chapter Eight Bring the Payne: The Erasure of the Black Sitcom and the Emergence of Tyler Perry’s House of Payne -
Chapter Nine Spike and Tyler’s Beef: Blackness, Authenticity, and Discourses of Black Exceptionalism -
Chapter Ten The Case for Calling George Lucas the “White Tyler Perry” -
Chapter Eleven To Brand and Rebrand: Questioning the Futurity of Tyler Perry - Epilogue
- Contributors
- Index
(p.xiii) Introduction
(p.xiii) Introduction
Media Studies Has Ninety-Nine Problems … But Tyler Perry Ain’t One of Them?
- Source:
- From Madea to Media Mogul
- Author(s):
TreaAndrea M. Russworm
- Publisher:
- University Press of Mississippi
University Press of Mississippi requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.
- Title Pages
- Foreword
- Acknowledgments
- Introduction
-
Chapter One “Tyler Perry Presents …”: The Cultural Projects, Partnerships, and Politics of Perry’s Media Platforms -
Chapter Two From the Margins to Center Stage: Tyler Perry’s Popular African American Theatre -
Chapter Three Tyler Perry, T.D. Jakes, and the Birth of Gospel Cinema -
Chapter Four Worship at the Altar of Perry: Spectatorship and the Aesthetics of Testimony -
Chapter Five “All My Life I Had to Fight”: Domestic Trauma and Cinephilia in Tyler Perry’s Archive of Feelings -
Chapter Six “Who I Am Is Conflicting with This Dress I Got On”: Madea’s Intimate Public and the Possibilities and Limitations of False Disguise -
Chapter Seven One Man Hollywood: The Decline of Black Creative Production in Post-Network Television -
Chapter Eight Bring the Payne: The Erasure of the Black Sitcom and the Emergence of Tyler Perry’s House of Payne -
Chapter Nine Spike and Tyler’s Beef: Blackness, Authenticity, and Discourses of Black Exceptionalism -
Chapter Ten The Case for Calling George Lucas the “White Tyler Perry” -
Chapter Eleven To Brand and Rebrand: Questioning the Futurity of Tyler Perry - Epilogue
- Contributors
- Index
