- Title Pages
- Acknowledgments
- Introduction
-
1 “This Is a Well-Loved Book”: Weighing (in on) Jeff Smith’s Bone -
2 “What Is China but a People and Their (Visual) Stories?” The Synthetic in Narratives of Contest in Gene Luen Yang’s Boxers & Saints -
3 Comics, Adolescents, and the Language of Mental Illness: David Heatley’s “Overpeck” and Nate Powell’s Swallow Me Whole -
4 Not Haunted, Just Empty: Figurative Representation in Sarah Oleksyk’s Ivy -
5 “Are You an Artist like Me?!” Do-It-Yourself Diary Books, Critical Reading, and Reader Interaction within the Worlds of the Diary of a Wimpy Kid and Dork Diaries Series -
6 Parodic Potty Humor and Superheroic Potentiality in Dav Pilkey’s The Adventures of Captain Underpants -
7 Multimodality Is Magic: My Little Pony and Transmedia Strategies in Children’s Comics -
8 Framing Agency: Comics Adaptations of Coraline and City of Ember -
9 From Who-ville to Hereville: Integrating Graphic Novels into an Undergraduate Children’s Literature Course -
10 Looking beyond the Scenes: Spatial Storytelling and Masking in Shaun Tan’s The Arrival -
11 When Young Writers Draw Their Voices: Creating Hybrid Comic Memoirs with The Absolutely True Diary of a Part-Time Indian -
12 Unbalanced on the Brink: Adolescent Girls and the Discovery of the Self in Skim and This One Summer by Mariko Tamaki and Jillian Tamaki -
13 The Drama of Coming Out: Censorship and Drama by Raina Telgemeier -
14 “What the Junk?” Defeating the Velociraptor in the Outhouse with the Lumberjanes -
15 Engendering Friendship: Exploring Jewish and Vampiric Boyhood in Joann Sfar’s Little Vampire -
16 Gothic Excess and the Body in Vera Brosgol’s Anya’s Ghost -
17 Graphically/Ubiquitously Separate: The Sanctified Littering of Jack T. Chick’s Fundy-Queer Comics -
18 Waiting for Spider-Man: Representations of Urban School “Reform” in Marvel Comics’ Miles Morales Series -
19 “Walk Together, Children”: The Function and Interplay of Comics, History, and Memory in Martin Luther King and the Montgomery Story and John Lewis’s March: Book One -
20 Sita’s Ramayana’s Negotiation with an Indian Epic Picture Storytelling Tradition -
Coda Whether We Want Them or Not: Building an Aesthetic of Children’s Digital Comics - Contributors
- Index
Graphically/Ubiquitously Separate: The Sanctified Littering of Jack T. Chick’s Fundy-Queer Comics
Graphically/Ubiquitously Separate: The Sanctified Littering of Jack T. Chick’s Fundy-Queer Comics
- Chapter:
- (p.263) 17 Graphically/Ubiquitously Separate: The Sanctified Littering of Jack T. Chick’s Fundy-Queer Comics
- Source:
- Graphic Novels for Children and Young Adults
- Author(s):
Lance Weldy
- Publisher:
- University Press of Mississippi
When it comes to morally didactic comics, Jack T. Chick has made a name for himself by perpetuating fundamentalist (known informally as “fundy” for short) Christian ideology via numerous religious comic tracts and comic books. Whatever their specific literary format, these materials preach about the divine inspiration and inerrancy of the Bible and against a wide range of topics such as abortion, Catholicism, communism, evolution, homosexuality, Islam, and rock music. This chapter chronicles Chick's career as the purveyor of morally didactic comic tracts. In addition to detailing the history of the Chick Tract, it shows how these comics “explicitly indoctrinate children through visual literacy while serving a political purpose by means of categorical religious xenophobia”.
Keywords: didactic comics, Jack T. Chick, fundametalist Christian ideology, religious comics, religious xenophobia
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- Title Pages
- Acknowledgments
- Introduction
-
1 “This Is a Well-Loved Book”: Weighing (in on) Jeff Smith’s Bone -
2 “What Is China but a People and Their (Visual) Stories?” The Synthetic in Narratives of Contest in Gene Luen Yang’s Boxers & Saints -
3 Comics, Adolescents, and the Language of Mental Illness: David Heatley’s “Overpeck” and Nate Powell’s Swallow Me Whole -
4 Not Haunted, Just Empty: Figurative Representation in Sarah Oleksyk’s Ivy -
5 “Are You an Artist like Me?!” Do-It-Yourself Diary Books, Critical Reading, and Reader Interaction within the Worlds of the Diary of a Wimpy Kid and Dork Diaries Series -
6 Parodic Potty Humor and Superheroic Potentiality in Dav Pilkey’s The Adventures of Captain Underpants -
7 Multimodality Is Magic: My Little Pony and Transmedia Strategies in Children’s Comics -
8 Framing Agency: Comics Adaptations of Coraline and City of Ember -
9 From Who-ville to Hereville: Integrating Graphic Novels into an Undergraduate Children’s Literature Course -
10 Looking beyond the Scenes: Spatial Storytelling and Masking in Shaun Tan’s The Arrival -
11 When Young Writers Draw Their Voices: Creating Hybrid Comic Memoirs with The Absolutely True Diary of a Part-Time Indian -
12 Unbalanced on the Brink: Adolescent Girls and the Discovery of the Self in Skim and This One Summer by Mariko Tamaki and Jillian Tamaki -
13 The Drama of Coming Out: Censorship and Drama by Raina Telgemeier -
14 “What the Junk?” Defeating the Velociraptor in the Outhouse with the Lumberjanes -
15 Engendering Friendship: Exploring Jewish and Vampiric Boyhood in Joann Sfar’s Little Vampire -
16 Gothic Excess and the Body in Vera Brosgol’s Anya’s Ghost -
17 Graphically/Ubiquitously Separate: The Sanctified Littering of Jack T. Chick’s Fundy-Queer Comics -
18 Waiting for Spider-Man: Representations of Urban School “Reform” in Marvel Comics’ Miles Morales Series -
19 “Walk Together, Children”: The Function and Interplay of Comics, History, and Memory in Martin Luther King and the Montgomery Story and John Lewis’s March: Book One -
20 Sita’s Ramayana’s Negotiation with an Indian Epic Picture Storytelling Tradition -
Coda Whether We Want Them or Not: Building an Aesthetic of Children’s Digital Comics - Contributors
- Index
