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The Canadian AlternativeCartoonists, Comics, and Graphic Novels$
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Dominick Grace and Eric Hoffman

Print publication date: 2017

Print ISBN-13: 9781496815118

Published to University Press of Mississippi: May 2019

DOI: 10.14325/mississippi/9781496815118.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 19 September 2019

Paul “Moose” Mackinnon and an Alternative Cape Breton

Paul “Moose” Mackinnon and an Alternative Cape Breton

Chapter:
(p.53) 4 Paul “Moose” Mackinnon and an Alternative Cape Breton
Source:
The Canadian Alternative
Author(s):
Ian Brodie
Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496815118.003.0004

A history of off-Island governance and capital ownership has informed Cape Breton, Nova Scotia’s self-definition of alterity. The counter-cultural movements of the early 1970s, which arose at the same time as the onset of post-industrialism and a subsequent, precipitous economic decline, brought new artistic media to express this sense of otherness: acid rock, alternative theatre, and underground comics among them. With his “Cape Breton Liberation Army,” Paul “Moose” MacKinnon created a platform for simultaneously exalting and deflating Cape Breton exceptionalism: a resistance militia whose plans after self-determination largely comprised playing pool and listening to blues music. This chapter traces the history of MacKinnon’s comic legacy within the Island’s attempted turn from an industrial to a cultural center, and challenges MacKinnon’s own assertion that he was never trying to be political.

Keywords:   Alternative Comics, Cape Breton, Post-Industrialism, Regionalism, Self-publishing

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