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The Bad SixtiesHollywood Memories of the Counterculture, Antiwar, and Black Power Movements$
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Kristen Hoerl

Print publication date: 2018

Print ISBN-13: 9781496817235

Published to University Press of Mississippi: September 2019

DOI: 10.14325/mississippi/9781496817235.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 28 November 2020

Selective Amnesia in Hollywood’s Imagined Sixties

Selective Amnesia in Hollywood’s Imagined Sixties

Chapter:
(p.3) Introduction Selective Amnesia in Hollywood’s Imagined Sixties
Source:
The Bad Sixties
Author(s):

Kristen Hoerl

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496817235.003.0001

This chapter introduces this book’s central contention that Hollywood film and television have taught audiences that capitalism and the traditional family have triumphed over Sixties-era resistance to corporate culture, structural racism, and patriarchy. Hollywood’s fictionalized portrayals of late sixties dissent routinely depicts radical protesters as problems that must be overcome to preserve national unity and the nuclear family. This introduction explains how fictionalized portrayals of Sixties-era dissent are forms of public memory that offer lessons about appropriate models of civic engagement in late-capitalist democracy. These portrayals are forms of selective amnesia, public discourse that routinely omits events and issues that defy seamless narratives of national progress and unity. The last section of the introduction provides an overview of the book’s case study chapters which are organized by recurring narrative patterns and character types across different media products since the early eighties.

Keywords:   the bad Sixties, public memory, selective amnesia, The Big Chill, television criticism

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