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Walking RaddyThe Baby Dolls of New Orleans$
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Kim Vaz-Deville

Print publication date: 2018

Print ISBN-13: 9781496817396

Published to University Press of Mississippi: September 2019

DOI: 10.14325/mississippi/9781496817396.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 19 September 2021

Operationalizing “Baby” for Our Good

Operationalizing “Baby” for Our Good

A Critical Cultural Commentary on Early Twentieth-Century Songs about Women as Baby and Baby Doll

Chapter:
(p.75) Operationalizing “Baby” for Our Good
Source:
Walking Raddy
Author(s):

Melanie Bratcher

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496817396.003.0007

This chapter explores lyrics from early twentieth century songs about women as Baby, Doll, and Baby Doll; and locates links between survival aesthetics and social controls. Evidence is presented that describes African cultural inheritance and its appropriation as part of sexism and stereotyping. Liberatory practices by Black women are also identified and levied against overwhelming economic and social oppression. While implicit, a call to reconcile inter and intra-racial sexism is made. Critical cultural commentary provides contours for relating continental African female iconography to African American ideas of tangible and intangible beauty.

Keywords:   Lyrics, Sexism, African, Culture, Women

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