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Walking RaddyThe Baby Dolls of New Orleans$
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Kim Vaz-Deville

Print publication date: 2018

Print ISBN-13: 9781496817396

Published to University Press of Mississippi: September 2019

DOI: 10.14325/mississippi/9781496817396.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 19 September 2021

Culture-Building and Contemporary Visual Arts Practice

Culture-Building and Contemporary Visual Arts Practice

The Case of “Contemporary Artists Respond to the New Orleans Baby Dolls”

Chapter:
(p.261) Culture-Building and Contemporary Visual Arts Practice
Source:
Walking Raddy
Author(s):

Ron Bechet

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496817396.003.0018

The significance of a call out for artists for the exhibit Contemporary Artists Respond to the New Orleans Baby Dolls is the opportunity it provides for artists to come outside of themselves as painters or textile designers and address their art from a different point of view. The significance of the exhibit is the opportunity to demonstrate how the community is an important part of grassroots culture and how this culture is surviving by adapting and evolving in response to contemporary conditions. The chapter offers an exploration of the unfolding of this process through the interactions of artists and those who mask as Baby Dolls.

Keywords:   Artists, Grassroots, Exhibit, Painters, Textiles

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