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The African American SonnetA Literary History$
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Timo Müller

Print publication date: 2018

Print ISBN-13: 9781496817839

Published to University Press of Mississippi: September 2019

DOI: 10.14325/mississippi/9781496817839.001.0001

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The Genteel Tradition and the Emergence of the African American Sonnet

The Genteel Tradition and the Emergence of the African American Sonnet

Chapter:
(p.15) Chapter 1 The Genteel Tradition and the Emergence of the African American Sonnet
Source:
The African American Sonnet
Author(s):

Timo Müller

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496817839.003.0002

This chapter traces the emergence of the sonnet in African American literature to the pervasive influence of genteel conventions. These conventions have widely been regarded as conservative or even stultifying, but they provided black poets with various opportunities for self-assertion in the public sphere. The sonnet was a favourite genre among the genteel establishment, and poets pushed the boundaries of black expression by appropriating the form to subvert racial stereotypes, develop a black poetic subjectivity, and participate in the debate over the memory of the Civil War. In tracing these developments, the chapter repositions the outstanding poets of the period, Paul Laurence Dunbar and James Weldon Johnson, alongside their less-known contemporaries, Samuel Beadle, William Stanley Braithwaite, Joseph Seamon Cotter Jr., T. Thomas Fortune, and Henrietta Cordelia Ray.

Keywords:   genteel tradition, interiority, signifying, Civil War, praise poetry

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