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Gender and the Superhero Narrative$
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Michael Goodrum, Tara Prescott, and Philip Smith

Print publication date: 2018

Print ISBN-13: 9781496818805

Published to University Press of Mississippi: September 2019

DOI: 10.14325/mississippi/9781496818805.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 21 November 2019

The Queen of Burlesque

The Queen of Burlesque

The Subtle (as a Hammer) Satire of Bomb Queen

Chapter:
(p.101) The Queen of Burlesque
Source:
Gender and the Superhero Narrative
Author(s):

Christina M. Knopf

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496818805.003.0005

Bomb Queen is a satire of politics and pop culture, with the media and the comic industry itself as frequent targets. Its self-referential nature has led Roy T. Cook to call Bomb Queen a “metacomic.” Inspired by rhetorician Aaron Hess’s critique of political satire, this essay analyzes the use of parody and irony in Bomb Queen. This essay argues that Bomb Queen’s approach both criticizes and perpetuates the gendered politics of the comic book industry and the superhero genre.

Keywords:   Satire, Burlesque, Gender, American Politics

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