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Quentin TarantinoPoetics and Politics of Cinematic Metafiction$
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David Roche

Print publication date: 2018

Print ISBN-13: 9781496819161

Published to University Press of Mississippi: September 2019

DOI: 10.14325/mississippi/9781496819161.001.0001

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“Everything’s the Same Except for One Change”

“Everything’s the Same Except for One Change”

A Neoformalist Approach Vol. 2: Narration and Style

Chapter:
(p.160) Chapter Five “Everything’s the Same Except for One Change”
Source:
Quentin Tarantino
Author(s):

David Roche

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496819161.003.0006

This chapter seeks to further determine Tarantino’s place in the history of film aesthetics, and his relationship to classical, contemporary and art cinema. It analyzes how the films relate to the extrinsic norms of the film genres they rework, how they produce their own intrinsic norms and how they ultimately play with the two. It foregrounds the various functions of these devices, that can be dramatic, narrative and/or metafictional. It progresses from a general overview of the Tarantino style by focusing on the body of his work, before studying a certain number of signature devices, and finally some of the specific color schemes and devices utilized in each film.

Keywords:   Narration, Film aesthetics, Style, Art cinema, Classical cinema

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