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Comics and Sacred TextsReimagining Religion and Graphic Narratives$
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Assaf Gamzou and Ken Koltun-Fromm

Print publication date: 2018

Print ISBN-13: 9781496819215

Published to University Press of Mississippi: September 2019

DOI: 10.14325/mississippi/9781496819215.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 28 September 2021

Joe Kubert’s Yossel: April 19, 1943

Joe Kubert’s Yossel: April 19, 1943

Faith and Art History’s Precedents

Chapter:
(p.193) Chapter Eleven Joe Kubert’s Yossel: April 19, 1943
Source:
Comics and Sacred Texts
Author(s):

Samantha Baskind

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496819215.003.0011

In analyzing Joe Kubert'sYossel: April 19, 1943, this essay argues that the 1943 Jewish uprising in the Warsaw Ghetto only peripherally propels the story forward, despite the book’s title. Nor does Kubert’s tale about his alter ego reign solely supreme, even as concern about Yossel’s welfare in the festering ghetto factors into how readers receive the story. This essay centers on a third theme that runs through the graphic narrative, as important but more subtly conveyed: one of faith during the Holocaust, and consequently how Kubert employs tropes from art history’s history to make points about the challenges of belief and the agony of its loss. While doing so, this essay argues that Kubert upends those visual tropes in order to expose how the Holocaust mercilessly upended humanity, transforming and displacing even the most devout.

Keywords:   Joe Kubert, Holocaust, Warsaw Ghetto uprising, Art history, Faith

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