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Comics and Sacred TextsReimagining Religion and Graphic Narratives$
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Assaf Gamzou and Ken Koltun-Fromm

Print publication date: 2018

Print ISBN-13: 9781496819215

Published to University Press of Mississippi: September 2019

DOI: 10.14325/mississippi/9781496819215.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 17 September 2021

Urban Revelation in Paul Madonna’s Postsecular Comics

Urban Revelation in Paul Madonna’s Postsecular Comics

Chapter:
(p.215) Chapter Twelve Urban Revelation in Paul Madonna’s Postsecular Comics
Source:
Comics and Sacred Texts
Author(s):

Ofra Amihay

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496819215.003.0012

This essay explores the work of San Francisco-based artist Paul Madonna, his unique use of the tropes of imagetext and its implications concerning authority, readership and meaning in a post-modern, post-secular world. In reading through the absences in Madonna’s work – the absence of people in the landscape, the absence of an observing entity, the absence of a clear symbol and reference, this essay argues for a philosophical approach that underlies this work, one that can be dubbed “Durkheimian Existentialism.” In analyzing the ‘space’ Madonna creates in his work between an empty city landscape and human communication through the French thinker, Émile Durkheim, this essay argues for meaning behind the visual absence of people in Madonna’s comics: a celebration of people’s centrality and importance in a reality with no external meaning, to the extent that they themselves can become a revelation.

Keywords:   Paul Madonna, Urban culture, Postsecularism, Imagetext, Émile Durkheim

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