- Title Pages
- Dedication
- Acknowledgments
- Introduction
-
Overview of Greek Music in America
1 -
Growth of Liturgical Music in the Iakovian Era
1 -
Greek Café Music
1 -
Amanes: The Legacy of the Oriental Mother
1 - Rebetika, the Blues of Greece—and Australia
-
George Katsaros: The Last Café-Aman Performer
1 -
“Health to You, Marko, with Your Bouzouki!”: The Role of Spoken Interjection in Greek Musicians’ Imagined Performance World in Historical Recordings Made in America and Abroad
1 - Turkish Music in the Greek American Experience
-
Survival of Greek Folk Music in New York
1 -
Communities Born in Song
1 -
Musical Practice and Memory on the Edge of Two Worlds: Kalymnian Tsambouna and Song Repertoire in the Family of Nikitas Tsimouris
1 - Alternate Resonances: Kalymnian Traditions in Tarpon Springs, Florida
- Greek Record Making in the Early Days, 1896–1937
- Greek Music Piano Rolls in the United States
- Encountering Greek American Soundscapes
-
Bouzoukis and Belly Dancers, Drinkers and Dreamers: A Look at Greek Nightlife at the Crossroads
1 -
Part Four Profiles - Giorgos “Nisyrios” Makrigiannis (1875–1933)
-
Madame Koula (circa 1880–1954)
1 -
George Dimitrios Grachis (1882–1965)
1 - Harilaos Piperakis (1888–1978)
-
Marika Papagika (1890–1943)
1 - Theodotos “Tetos” Demetriades (1897–1971)
-
Amalia Baka (1897–1979)
1 -
Ioannis Halikias, aka Jack Gregory (1898–1957)
1 - John K. Gianaros (1904–1998)
- Pericles Halkias (1909–2005)
- Steve Zembillas (1923–2002) and the Grecophon Record Company
-
Nicholas “Nicos” Tseperis (1923–2010) and Nina Records
1 - Sotirios (Sam) Chianis (b. 1926)
- Ilias Kementzides (1926–2006)
- Giannis Tatasopoulos (1928–2001)
- Gust J. (Dino) Pappas (1931–1999)
- Harilaos Papapostolou (1932–1998)
- Kay Skordilis (b. 1936)
- Peter Stephen Kyvelos (1943–2017)
- Trio Bel Canto and Takis Elenis (b. 1948)
- George E. Soffos (1953–2013)
- Appendix
- References
- Contributors
- Index
Bouzoukis and Belly Dancers, Drinkers and Dreamers: A Look at Greek Nightlife at the Crossroads1
Bouzoukis and Belly Dancers, Drinkers and Dreamers: A Look at Greek Nightlife at the Crossroads1
- Chapter:
- (p.326) Bouzoukis and Belly Dancers, Drinkers and Dreamers: A Look at Greek Nightlife at the Crossroads1
- Source:
- Greek Music in America
- Author(s):
Nick Pappas
- Publisher:
- University Press of Mississippi
Journalist Nick Pappas explores in detail the social and economic dimensions of Greek club and restaurant presentations in New York during the 1980s in “Bouzouki and Belly Dancers, Drinkers and Dreamers: A Look at Greek Nightlife at the Crossroads.” The author examines clubs like the Grecian Cave, which attract recent, working-class Greek immigrants. He contrasts them with more financially successful, upscale Greek supper clubs in Manhattan that appeal to celebrities and a more affluent clientele that largely non-Greek.He also profiles the men and women operating the clubs, who work with a product the component parts of which are Greek history, food, music, dance, hospitality, and other ephemeral qualities that give their product its appeal.
Keywords: Greek music clubs, Grecian Cave, Bouzouki, New York City, Greek diaspora
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- Title Pages
- Dedication
- Acknowledgments
- Introduction
-
Overview of Greek Music in America
1 -
Growth of Liturgical Music in the Iakovian Era
1 -
Greek Café Music
1 -
Amanes: The Legacy of the Oriental Mother
1 - Rebetika, the Blues of Greece—and Australia
-
George Katsaros: The Last Café-Aman Performer
1 -
“Health to You, Marko, with Your Bouzouki!”: The Role of Spoken Interjection in Greek Musicians’ Imagined Performance World in Historical Recordings Made in America and Abroad
1 - Turkish Music in the Greek American Experience
-
Survival of Greek Folk Music in New York
1 -
Communities Born in Song
1 -
Musical Practice and Memory on the Edge of Two Worlds: Kalymnian Tsambouna and Song Repertoire in the Family of Nikitas Tsimouris
1 - Alternate Resonances: Kalymnian Traditions in Tarpon Springs, Florida
- Greek Record Making in the Early Days, 1896–1937
- Greek Music Piano Rolls in the United States
- Encountering Greek American Soundscapes
-
Bouzoukis and Belly Dancers, Drinkers and Dreamers: A Look at Greek Nightlife at the Crossroads
1 -
Part Four Profiles - Giorgos “Nisyrios” Makrigiannis (1875–1933)
-
Madame Koula (circa 1880–1954)
1 -
George Dimitrios Grachis (1882–1965)
1 - Harilaos Piperakis (1888–1978)
-
Marika Papagika (1890–1943)
1 - Theodotos “Tetos” Demetriades (1897–1971)
-
Amalia Baka (1897–1979)
1 -
Ioannis Halikias, aka Jack Gregory (1898–1957)
1 - John K. Gianaros (1904–1998)
- Pericles Halkias (1909–2005)
- Steve Zembillas (1923–2002) and the Grecophon Record Company
-
Nicholas “Nicos” Tseperis (1923–2010) and Nina Records
1 - Sotirios (Sam) Chianis (b. 1926)
- Ilias Kementzides (1926–2006)
- Giannis Tatasopoulos (1928–2001)
- Gust J. (Dino) Pappas (1931–1999)
- Harilaos Papapostolou (1932–1998)
- Kay Skordilis (b. 1936)
- Peter Stephen Kyvelos (1943–2017)
- Trio Bel Canto and Takis Elenis (b. 1948)
- George E. Soffos (1953–2013)
- Appendix
- References
- Contributors
- Index
