Show Summary Details
- Title Pages
- Dedication
- Acknowledgments
- Introduction
- Overview of Greek Music in America<sup>1</sup>
- Growth of Liturgical Music in the Iakovian Era<sup>1</sup>
- Greek Café Music<sup>1</sup>
- <i>Amanes</i>: The Legacy of the Oriental Mother<sup>1</sup>
- <i>Rebetika</i>, the Blues of Greece—and Australia
- George Katsaros: The Last <i>Café-Aman</i> Performer<sup>1</sup>
- “Health to You, Marko, with Your Bouzouki!”: The Role of Spoken Interjection in Greek Musicians’ Imagined Performance World in Historical Recordings Made in America and Abroad<sup>1</sup>
- Turkish Music in the Greek American Experience
- Survival of Greek Folk Music in New York<sup>1</sup>
- Communities Born in Song<sup>1</sup>
- Musical Practice and Memory on the Edge of Two Worlds: Kalymnian <i>Tsambouna</i> and Song Repertoire in the Family of Nikitas Tsimouris<sup>1</sup>
- Alternate Resonances: Kalymnian Traditions in Tarpon Springs, Florida
- Greek Record Making in the Early Days, 1896–1937
- Greek Music Piano Rolls in the United States
- Encountering Greek American Soundscapes
- Bouzoukis and Belly Dancers, Drinkers and Dreamers: A Look at Greek Nightlife at the Crossroads<sup>1</sup>
- Part Four Profiles
- Giorgos “Nisyrios” Makrigiannis (1875–1933)
- Madame Koula (circa 1880–1954)<sup>1</sup>
- George Dimitrios Grachis (1882–1965)<sup>1</sup>
- Harilaos Piperakis (1888–1978)
- Marika Papagika (1890–1943)<sup>1</sup>
- Theodotos “Tetos” Demetriades (1897–1971)
- Amalia Baka (1897–1979)<sup>1</sup>
- Ioannis Halikias, aka Jack Gregory (1898–1957)<sup>1</sup>
- John K. Gianaros (1904–1998)
- Pericles Halkias (1909–2005)
- Steve Zembillas (1923–2002) and the Grecophon Record Company
- Nicholas “Nicos” Tseperis (1923–2010) and Nina Records<sup>1</sup>
- Sotirios (Sam) Chianis (b. 1926)
- Ilias Kementzides (1926–2006)
- Giannis Tatasopoulos (1928–2001)
- Gust J. (Dino) Pappas (1931–1999)
- Harilaos Papapostolou (1932–1998)
- Kay Skordilis (b. 1936)
- Peter Stephen Kyvelos (1943–2017)
- Trio Bel Canto and Takis Elenis (b. 1948)
- George E. Soffos (1953–2013)
- Appendix
- References
- Contributors
- Index
Marika Papagika (1890–1943)1
Marika Papagika (1890–1943)1
- Chapter:
- (p.358) Marika Papagika (1890–1943)1
- Source:
- Greek Music in America
- Author(s):
Stavros K. Frangos
- Publisher:
- University Press of Mississippi
DOI:10.14325/mississippi/9781496819703.003.0022
Marika Papagika was one of the best known Greek female vocalists and recording artists in the United States.She and her husband also owned a New York café aman that attracted a mixed ethnic audience. She is particularly known for her rebetika recordings on American and small Greek American record labels, however, she sange songs in a variety of genres including kleftika, café aman, and Smyrneika.
Keywords: Rebetika, Greek music, Smyrneika, Greek diaspora, Ethnic recordings
University Press of Mississippi requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.
- Title Pages
- Dedication
- Acknowledgments
- Introduction
- Overview of Greek Music in America<sup>1</sup>
- Growth of Liturgical Music in the Iakovian Era<sup>1</sup>
- Greek Café Music<sup>1</sup>
- <i>Amanes</i>: The Legacy of the Oriental Mother<sup>1</sup>
- <i>Rebetika</i>, the Blues of Greece—and Australia
- George Katsaros: The Last <i>Café-Aman</i> Performer<sup>1</sup>
- “Health to You, Marko, with Your Bouzouki!”: The Role of Spoken Interjection in Greek Musicians’ Imagined Performance World in Historical Recordings Made in America and Abroad<sup>1</sup>
- Turkish Music in the Greek American Experience
- Survival of Greek Folk Music in New York<sup>1</sup>
- Communities Born in Song<sup>1</sup>
- Musical Practice and Memory on the Edge of Two Worlds: Kalymnian <i>Tsambouna</i> and Song Repertoire in the Family of Nikitas Tsimouris<sup>1</sup>
- Alternate Resonances: Kalymnian Traditions in Tarpon Springs, Florida
- Greek Record Making in the Early Days, 1896–1937
- Greek Music Piano Rolls in the United States
- Encountering Greek American Soundscapes
- Bouzoukis and Belly Dancers, Drinkers and Dreamers: A Look at Greek Nightlife at the Crossroads<sup>1</sup>
- Part Four Profiles
- Giorgos “Nisyrios” Makrigiannis (1875–1933)
- Madame Koula (circa 1880–1954)<sup>1</sup>
- George Dimitrios Grachis (1882–1965)<sup>1</sup>
- Harilaos Piperakis (1888–1978)
- Marika Papagika (1890–1943)<sup>1</sup>
- Theodotos “Tetos” Demetriades (1897–1971)
- Amalia Baka (1897–1979)<sup>1</sup>
- Ioannis Halikias, aka Jack Gregory (1898–1957)<sup>1</sup>
- John K. Gianaros (1904–1998)
- Pericles Halkias (1909–2005)
- Steve Zembillas (1923–2002) and the Grecophon Record Company
- Nicholas “Nicos” Tseperis (1923–2010) and Nina Records<sup>1</sup>
- Sotirios (Sam) Chianis (b. 1926)
- Ilias Kementzides (1926–2006)
- Giannis Tatasopoulos (1928–2001)
- Gust J. (Dino) Pappas (1931–1999)
- Harilaos Papapostolou (1932–1998)
- Kay Skordilis (b. 1936)
- Peter Stephen Kyvelos (1943–2017)
- Trio Bel Canto and Takis Elenis (b. 1948)
- George E. Soffos (1953–2013)
- Appendix
- References
- Contributors
- Index
