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The Artistry of Neil GaimanFinding Light in the Shadows$
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Joseph Michael Sommers and Kyle Eveleth

Print publication date: 2019

Print ISBN-13: 9781496821645

Published to University Press of Mississippi: January 2020

DOI: 10.14325/mississippi/9781496821645.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 13 July 2020

Perspective, Empathy, and Activism

Perspective, Empathy, and Activism

Neil Gaiman’s The View from the Cheap Seats

Chapter:
(p.3) Perspective, Empathy, and Activism
Source:
The Artistry of Neil Gaiman
Author(s):

Tara Prescott

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496821645.003.0001

The chapter poses a unique question: How does Gaiman's writing construct images in moments where no visuals are presented?An analysis of Gaiman's most recent nonfiction collection, The View From the Cheap Seats, it takes as its starting point the notion of situatednessvis-à-vis points of view, contending that it is precisely Gaiman's disarming "view from the nosebleed section" that allows him to make his incisive, meaningful interventions into the world outside his writing through his writing: activism by any other measure. The visual inflections in Prescott's reading of View are metaphorical as it examines the concepts of sight and blindness, position and disposition, visibility and invisibility. However, as Prescott reminds us, Gaiman's work, fictional and nonfictional, is intently focused on the project of "seeing further by building doors instead of walls."

Keywords:   Perspective, Empathy, Activism, Social Media, Persona

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