- Title Pages
- Nourishing Minds and Bodies with Indigenous Comics: A Foreword
- Graphic Indigeneity: Terra America and Terra Australasia
- “We the North”: Interrogating Indigenous Appropriation as Canadian Identity in Mainstream American Comics
- Jack Jackson, Native Representation, and Underground Comix
- “Goin’ Native!”: Depictions of the First Peoples from “Down Under”
- Representations of Indigenous Australians in Marvel Comics
- The Wisdom of the Phantom: The Secret Life of Australia’s Indigenous Superhero
- Outsmarting the Lords of Death: An Amerindian Cognitive Script in Comics
- Memory in Pieces: Chola Power’s Origin Story and the Quest for Memory in Peru
- Visualizing an Alternative Mesoamerican Archive: Daniel Parada’s Comic Series Zotz in Historical Perspective
- Critical Impulses in Daniel Parada’s Zotz: A Case Study in Indigenous Comics
- The Battle for Recollection: Maya Historietas as Art for Remembering War
- Turey El Taíno and La Borinqueña: Puerto Rican Nationalist and Ethnic Resistance in Puerto Rican Comics Dealing with Taíno Cultural Heritage
- Securing Stones in the Sky: Word-Drawn Recreations of Oral Trickster Tales
- Super Indians and the Indigenous Comics Renaissance
- Seeing Histories, Building Futurities: Multimodal Decolonization and Conciliation in Indigenous Comics from Canada
- Deep Time and Vast Place: Visualizing Land/Water Relations across Time and Space in Moonshot: The Indigenous Comics Collection
- Deer Woman Re-Generations: Re-Activating First Beings and Re-Arming Sisterhoods of Survivance in Deer Woman: An Anthology
- Indigeneity, Intermediality, and the Haunted Present of Will I See?
- Afterlives: A Coda
- Graphic Indigeneity
- Frederick Luis Aldama
- University Press of Mississippi
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