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Comic Art in Museums$
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Kim A. Munson

Print publication date: 2020

Print ISBN-13: 9781496828118

Published to University Press of Mississippi: May 2021

DOI: 10.14325/mississippi/9781496828118.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 28 September 2021

How Low Can You Go?

How Low Can You Go?

Chapter:
(p.257) How Low Can You Go?
Source:
Comic Art in Museums
Author(s):

John Carlin

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496828118.003.0029

This chapter includes a 1990 review of MoMA’s High and Low: Modern Art, Popular Culture by cultural entrepreneur John Carlin, co-curator of The Comic Art Show (Whitney, 1983) and curator of Masters of American Comics (Hammer, Museum of Contemporary Art, Los Angeles, 2005).  This chapter discusses the differences between fine art and pop culture,the importance of excluded topics like jazz, video, and film, and how pop culture is environmental. Carlin explains: “Pop culture is ugly, rude, sexist, racist and politically naive. Fine art is obscure, elitist, misogynist and has no politics. Obviously they were made for each other.”

Keywords:   High & Low: Modern Art, Popular Culture, Fine art and popular culture, Importance of jazz in pop culture, The Comic Art Show, Masters of American Comics

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