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Soul in SeoulAfrican American Popular Music and K-pop$
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Crystal S. Anderson

Print publication date: 2020

Print ISBN-13: 9781496830098

Published to University Press of Mississippi: May 2021

DOI: 10.14325/mississippi/9781496830098.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 18 September 2021

“Rewriting the Résumé”

“Rewriting the Résumé”

Mainstream Korean Hip-hop Artists

Chapter:
(p.119) 4 “Rewriting the Résumé”
Source:
Soul in Seoul
Author(s):

Crystal S. Anderson

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781496830098.003.0004

Mainstream Korean hip-hop performers cite the R&B tradition through sampling and the use of R&B vocals and enhance it through Korean musical strategies that mix multiple genres with hip-hop elements and the use of live instrumentation. Some hip-hop acts emulate the tradition by engaging in “old school” music and using R&B vocals, while others include remixes, samples of non-R&B genres, and the use of non-R&B vocalists. Mainstream Korean hip-hop acts cite limiting and liberating hip-hop tropes in music videos as well. Korean hip-hop artists participate in a globalized R&B tradition by promoting its music aesthetics.

Keywords:   R&B vocals, Hip hop, Sampling, Music aesthetics, Live instrumentation

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