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A Trumpet around the CornerThe Story of New Orleans Jazz$
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Samuel Charters

Print publication date: 2008

Print ISBN-13: 9781578068982

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781578068982.001.0001

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Mister Jelly

Mister Jelly

Chapter:
(p.201) 12 Mister Jelly
Source:
A Trumpet around the Corner
Author(s):

Samuel Charters

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781578068982.003.0013

The musicians who ventured out of New Orleans found jobs in various cities. These were the traveling days of New Orleans jazz, and many musicians recorded on the road. One of the early traveling musicians who managed to get into a recording studio was Jelly Roll Morton, who claimed later in life that he had invented jazz. Morton is known for his multi-sectioned, extended solo compositions that used the harmonic forms of classic ragtime: sixteen-bar strains, repeats, short bridging interludes, and a melodic central strain. Some of his most important compositions, both the piano solo versions and orchestrations, were published by Walter Melrose and his brother Lester. In 1923, Walter set up sessions with Gennett Records for solo piano versions of all of the major Morton compositions that he was publishing. Morton also made a handful of recordings with the Jelly Roll Morton’s Levee Band and Jelly Roll Morton’s Incomparables in 1924 and 1925.

Keywords:   musicians, New Orleans, jazz, Jelly Roll Morton, ragtime, Walter Melrose, Gennett Records, recordings, Levee Band, Incomparables

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