- Title Pages
- Frontispiece
- [UNTITLED]
- Dedication
- Acknowledgments
- Introduction
- Profiles
-
Chapter 1 Sun Days and Hi Times -
Chapter 2 Chips, Goldwax, Sandy, and the Garage-Band Sound -
Chapter 3 The Road, the Tree, and Its Branches -
Chapter 4 Walking Through an Open Doorway -
Chapter 5 Grabbing the Pie and Biting the Apple -
Chapter 6 Soul Dance Number Three: Keeping It Real -
Chapter 7 New Voices, New Visions, Wayne’s World, and a Letter -
Chapter 8 A Place in the Sun -
Chapter 9 Chill of an Early Fall -
Chapter 10 It Looked Like a Family -
Chapter 11 Standing on the Verge of Getting It On -
Chapter 12 Songs for Young Weepers: Crying Like a Baby and the Death of a Dream -
Chapter 13 Memphis Goes On -
Chapter 14 Early Departures and Late Arrivals -
Chapter 15 People Sure Act Funny -
Chapter 16 The Present Is Prelude -
Chapter 17 From a Jack to a King -
Chapter 18 Good-Time Merry-Go-Round: Life after Elvis -
Chapter 19 Tommy Cogbill’s Year -
Chapter 20 Eyes of a New York Woman -
Chapter 21 Just Can’t Help Believing -
Chapter 22 Going in Circles -
Chapter 23 Right Can Be So Wrong -
Chapter 24 Wasted Doing Nothing -
Chapter 25 Broken-Hearted Rock and Roll Band -
Chapter 26 From Atlanta to Good-Bye - Suggested Listening
- Bibliography
- Index
- Plates
Tommy Cogbill’s Year
Tommy Cogbill’s Year
- Chapter:
- (p.236) Chapter 19 Tommy Cogbill’s Year
- Source:
- Memphis Boys
- Author(s):
Roben Jones
- Publisher:
- University Press of Mississippi
This chapter focuses on the work of Tommy Cogbill. Cogbill never became well known outside the business, partly because almost all the attention given to American would focus on Chips Moman and partly because the Memphis music industry, where he made his reputation, was more low-key than was Nashville’s. However, a year’s worth of hits—“Soul Deep,” “Sweet Caroline,” and “Brother Love,” as well as neglected masterworks such as the American group instrumentals, “Sign On for the Good Times,” “I Shall Be Released,” and Angeline Butler’s album—was a list of accomplishments any producer could envy.
Keywords: American Studios, musicians, jazz
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- Title Pages
- Frontispiece
- [UNTITLED]
- Dedication
- Acknowledgments
- Introduction
- Profiles
-
Chapter 1 Sun Days and Hi Times -
Chapter 2 Chips, Goldwax, Sandy, and the Garage-Band Sound -
Chapter 3 The Road, the Tree, and Its Branches -
Chapter 4 Walking Through an Open Doorway -
Chapter 5 Grabbing the Pie and Biting the Apple -
Chapter 6 Soul Dance Number Three: Keeping It Real -
Chapter 7 New Voices, New Visions, Wayne’s World, and a Letter -
Chapter 8 A Place in the Sun -
Chapter 9 Chill of an Early Fall -
Chapter 10 It Looked Like a Family -
Chapter 11 Standing on the Verge of Getting It On -
Chapter 12 Songs for Young Weepers: Crying Like a Baby and the Death of a Dream -
Chapter 13 Memphis Goes On -
Chapter 14 Early Departures and Late Arrivals -
Chapter 15 People Sure Act Funny -
Chapter 16 The Present Is Prelude -
Chapter 17 From a Jack to a King -
Chapter 18 Good-Time Merry-Go-Round: Life after Elvis -
Chapter 19 Tommy Cogbill’s Year -
Chapter 20 Eyes of a New York Woman -
Chapter 21 Just Can’t Help Believing -
Chapter 22 Going in Circles -
Chapter 23 Right Can Be So Wrong -
Chapter 24 Wasted Doing Nothing -
Chapter 25 Broken-Hearted Rock and Roll Band -
Chapter 26 From Atlanta to Good-Bye - Suggested Listening
- Bibliography
- Index
- Plates
