- Title Pages
- Frontispiece
- [UNTITLED]
- Dedication
- Acknowledgments
- Introduction
- Profiles
-
Chapter 1 Sun Days and Hi Times -
Chapter 2 Chips, Goldwax, Sandy, and the Garage-Band Sound -
Chapter 3 The Road, the Tree, and Its Branches -
Chapter 4 Walking Through an Open Doorway -
Chapter 5 Grabbing the Pie and Biting the Apple -
Chapter 6 Soul Dance Number Three: Keeping It Real -
Chapter 7 New Voices, New Visions, Wayne’s World, and a Letter -
Chapter 8 A Place in the Sun -
Chapter 9 Chill of an Early Fall -
Chapter 10 It Looked Like a Family -
Chapter 11 Standing on the Verge of Getting It On -
Chapter 12 Songs for Young Weepers: Crying Like a Baby and the Death of a Dream -
Chapter 13 Memphis Goes On -
Chapter 14 Early Departures and Late Arrivals -
Chapter 15 People Sure Act Funny -
Chapter 16 The Present Is Prelude -
Chapter 17 From a Jack to a King -
Chapter 18 Good-Time Merry-Go-Round: Life after Elvis -
Chapter 19 Tommy Cogbill’s Year -
Chapter 20 Eyes of a New York Woman -
Chapter 21 Just Can’t Help Believing -
Chapter 22 Going in Circles -
Chapter 23 Right Can Be So Wrong -
Chapter 24 Wasted Doing Nothing -
Chapter 25 Broken-Hearted Rock and Roll Band -
Chapter 26 From Atlanta to Good-Bye - Suggested Listening
- Bibliography
- Index
- Plates
Soul Dance Number Three: Keeping It Real
Soul Dance Number Three: Keeping It Real
- Chapter:
- Chapter 6 Soul Dance Number Three: Keeping It Real
- Source:
- Memphis Boys
- Author(s):
Roben Jones
- Publisher:
- University Press of Mississippi
This chapter describes the importance of the New York Aretha session to Chips Moman and his friends. It proved that their backup work could be as effective behind a new star as it was with an established performer; it solidified their professional relationship with Atlantic; and, most significantly of all to Chips—he had proven that he, Tommy Cogbill, and Dan Penn could take on New York and meet its challenges on their terms. Because of the Wilson Pickett and Aretha sessions, R&B was considered American Studios’ specialty; it was this side of the group’s music that had begun to interest both established producers and some of the newer producers upon the scene, chief among whom was Papa Don Schroeder.
Keywords: New York, Aretha Franklin, Chips Moman, Tommy Cogbill, Dan Penn, Papa Don Schroeder
University Press of Mississippi requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.
- Title Pages
- Frontispiece
- [UNTITLED]
- Dedication
- Acknowledgments
- Introduction
- Profiles
-
Chapter 1 Sun Days and Hi Times -
Chapter 2 Chips, Goldwax, Sandy, and the Garage-Band Sound -
Chapter 3 The Road, the Tree, and Its Branches -
Chapter 4 Walking Through an Open Doorway -
Chapter 5 Grabbing the Pie and Biting the Apple -
Chapter 6 Soul Dance Number Three: Keeping It Real -
Chapter 7 New Voices, New Visions, Wayne’s World, and a Letter -
Chapter 8 A Place in the Sun -
Chapter 9 Chill of an Early Fall -
Chapter 10 It Looked Like a Family -
Chapter 11 Standing on the Verge of Getting It On -
Chapter 12 Songs for Young Weepers: Crying Like a Baby and the Death of a Dream -
Chapter 13 Memphis Goes On -
Chapter 14 Early Departures and Late Arrivals -
Chapter 15 People Sure Act Funny -
Chapter 16 The Present Is Prelude -
Chapter 17 From a Jack to a King -
Chapter 18 Good-Time Merry-Go-Round: Life after Elvis -
Chapter 19 Tommy Cogbill’s Year -
Chapter 20 Eyes of a New York Woman -
Chapter 21 Just Can’t Help Believing -
Chapter 22 Going in Circles -
Chapter 23 Right Can Be So Wrong -
Chapter 24 Wasted Doing Nothing -
Chapter 25 Broken-Hearted Rock and Roll Band -
Chapter 26 From Atlanta to Good-Bye - Suggested Listening
- Bibliography
- Index
- Plates