- Title Pages
- Acknowledgments
- Introduction
- Perspective
- Perspective
- Perspective
- Perspective
- Daytime Budget Cuts
- Agnes Nixon and Soap Opera “Chemistry Tests”
- Giving Soaps a Good Scrub
- The Way We Were
- Perspective
- Perspective
- Growing Old Together
- Perspective
- Perspective
- Of Soap Operas, Space Operas, and Television’s Rocky Romance with the Feminine Form
- The Ironic and Convoluted Relationship Between Daytime and Primetime Soap Operas
- Perspective
- Perspective
- Preserving Soap History
- Did the 2007 Writers Strike Save Daytime’s Highest-Rated Drama?
- “The Rhetoric of the Camera in Television Soap Opera” Revisited
- It’s Not All Talk
- Guiding Light
- The Evolution of the Production Process of Soap Operas Today
- From Daytime to <i>Night Shift</i>
- “What the Hell Does TIIC Mean?”
- The Evolution of the Fan Video and the Influence of YouTube on the Creative Decision-Making Process for Fans
- Soaps for Tomorrow
- Soap Opera Critics and Criticism
- Hanging on by a Common Thread
- Perspective
- The Role of “The Audience” in the Writing Process
- The “Missing Years”
- <i>As the World Turns’</i> Luke and Noah and Fan Activism
- Constructing the Older Audience
- References
- Index
“The Rhetoric of the Camera in Television Soap Opera” Revisited
“The Rhetoric of the Camera in Television Soap Opera” Revisited
The Case of General Hospital
- Chapter:
- (p.163) “The Rhetoric of the Camera in Television Soap Opera” Revisited
- Source:
- The Survival of Soap Opera
- Author(s):
Bernard M. Timberg
Ernest M. Alba
- Publisher:
- University Press of Mississippi
This chapter examines the camera work of the first episode of General Hospital (GH) on April 1, 1963, as positioned within the show’s thirtieth anniversary in 1993, and as compared to a 2009 episode of GH. It demonstrates how the production values and camera technology of soaps have evolved.
Keywords: soap operas, camera work, daytime television, production value, camera technology
University Press of Mississippi requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.
- Title Pages
- Acknowledgments
- Introduction
- Perspective
- Perspective
- Perspective
- Perspective
- Daytime Budget Cuts
- Agnes Nixon and Soap Opera “Chemistry Tests”
- Giving Soaps a Good Scrub
- The Way We Were
- Perspective
- Perspective
- Growing Old Together
- Perspective
- Perspective
- Of Soap Operas, Space Operas, and Television’s Rocky Romance with the Feminine Form
- The Ironic and Convoluted Relationship Between Daytime and Primetime Soap Operas
- Perspective
- Perspective
- Preserving Soap History
- Did the 2007 Writers Strike Save Daytime’s Highest-Rated Drama?
- “The Rhetoric of the Camera in Television Soap Opera” Revisited
- It’s Not All Talk
- Guiding Light
- The Evolution of the Production Process of Soap Operas Today
- From Daytime to <i>Night Shift</i>
- “What the Hell Does TIIC Mean?”
- The Evolution of the Fan Video and the Influence of YouTube on the Creative Decision-Making Process for Fans
- Soaps for Tomorrow
- Soap Opera Critics and Criticism
- Hanging on by a Common Thread
- Perspective
- The Role of “The Audience” in the Writing Process
- The “Missing Years”
- <i>As the World Turns’</i> Luke and Noah and Fan Activism
- Constructing the Older Audience
- References
- Index