- Title Pages
- Acknowledgments
- Introduction
- Perspective
- Perspective
- Perspective
- Perspective
- Daytime Budget Cuts
- Agnes Nixon and Soap Opera “Chemistry Tests”
- Giving Soaps a Good Scrub
- The Way We Were
- Perspective
- Perspective
- Growing Old Together
- Perspective
- Perspective
- Of Soap Operas, Space Operas, and Television’s Rocky Romance with the Feminine Form
- The Ironic and Convoluted Relationship Between Daytime and Primetime Soap Operas
- Perspective
- Perspective
- Preserving Soap History
- Did the 2007 Writers Strike Save Daytime’s Highest-Rated Drama?
- “The Rhetoric of the Camera in Television Soap Opera” Revisited
- It’s Not All Talk
- Guiding Light
- The Evolution of the Production Process of Soap Operas Today
- From Daytime to <i>Night Shift</i>
- “What the Hell Does TIIC Mean?”
- The Evolution of the Fan Video and the Influence of YouTube on the Creative Decision-Making Process for Fans
- Soaps for Tomorrow
- Soap Opera Critics and Criticism
- Hanging on by a Common Thread
- Perspective
- The Role of “The Audience” in the Writing Process
- The “Missing Years”
- <i>As the World Turns’</i> Luke and Noah and Fan Activism
- Constructing the Older Audience
- References
- Index
Daytime Budget Cuts
Daytime Budget Cuts
- Chapter:
- (p.38) Daytime Budget Cuts
- Source:
- The Survival of Soap Opera
- Author(s):
Sara A. Bibel
- Publisher:
- University Press of Mississippi
This chapter analyzes the many distressing industry changes in the U.S. soap opera landscape. It focuses on the year 2008, examining it in relation to the realities of soap opera budgets, and describes how budget cuts affect every aspect of a daytime drama, from the writing team to the sets. Budget cuts also mean that shows have less time to tape each episode, which is bad for the actors, who no longer have time to rehearse scenes. The condensed schedule also means viewers can forget about seeing fun party scenes and big weddings.
Keywords: soap operas, daytime television industry, budgets
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- Title Pages
- Acknowledgments
- Introduction
- Perspective
- Perspective
- Perspective
- Perspective
- Daytime Budget Cuts
- Agnes Nixon and Soap Opera “Chemistry Tests”
- Giving Soaps a Good Scrub
- The Way We Were
- Perspective
- Perspective
- Growing Old Together
- Perspective
- Perspective
- Of Soap Operas, Space Operas, and Television’s Rocky Romance with the Feminine Form
- The Ironic and Convoluted Relationship Between Daytime and Primetime Soap Operas
- Perspective
- Perspective
- Preserving Soap History
- Did the 2007 Writers Strike Save Daytime’s Highest-Rated Drama?
- “The Rhetoric of the Camera in Television Soap Opera” Revisited
- It’s Not All Talk
- Guiding Light
- The Evolution of the Production Process of Soap Operas Today
- From Daytime to <i>Night Shift</i>
- “What the Hell Does TIIC Mean?”
- The Evolution of the Fan Video and the Influence of YouTube on the Creative Decision-Making Process for Fans
- Soaps for Tomorrow
- Soap Opera Critics and Criticism
- Hanging on by a Common Thread
- Perspective
- The Role of “The Audience” in the Writing Process
- The “Missing Years”
- <i>As the World Turns’</i> Luke and Noah and Fan Activism
- Constructing the Older Audience
- References
- Index