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The Survival of Soap OperaTransformations for a New Media Era$
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Sam Ford, Abigail De Kosnik, and C. Lee Harrington

Print publication date: 2010

Print ISBN-13: 9781604737165

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781604737165.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 01 March 2021

The Way We Were

The Way We Were

The Institutional Logics of Professionals and Fans in the Soap Opera Industry

Chapter:
(p.58) The Way We Were
Source:
The Survival of Soap Opera
Author(s):

Melissa C. Scardaville

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781604737165.003.0009

This chapter examines fan and industry perceptions about the decline in quality of soap opera narratives. Both fans and industry professionals agree that soaps used to be so much better, and that the heyday of superior storytelling and windfall profits will never be seen again in the soap opera industry. While there have long been two institutional logics—economic, where profit is paramount, and aesthetic, where quality storytelling is the goal—professionals and fans disagree over how the genre’s decline occurred.

Keywords:   soap operas, fans, daytime television industry, institutional logic

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