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Art for the Middle ClassesAmerica's Illustrated Magazines of the 1840s$
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Cynthia Lee Patterson

Print publication date: 2010

Print ISBN-13: 9781604737363

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781604737363.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 17 September 2019

Conclusion

Conclusion

The Ascendancy of New Yark, and Market Stratification

Chapter:
(p.160) 8 Conclusion
Source:
Art for the Middle Classes
Author(s):

Cynthia Lee Patterson

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781604737363.003.0008

This chapter discusses the rise of lithographic art print companies such as Goupil, Vibert and Co. and Currier and Ives in the 1850s, which eclipsed the prominence of illustrated magazines in Philadelphia. Lithographic prints were cheaper and easier to produce, and with the artists working for both Goupil, Vibert and Co. and Currier and Ives, the American public started to shift their focus toward art prints. Both Graham’s Lady’s and Gentleman’s Magazine and Sartain’s Union Magazine ended in the 1850s. Godey’s Lady’s Book and Peterson’s Magazine continued to thrive, as they continued to publish high quality literature and they kept a loyal readership.

Keywords:   lithographic art print, Goupil, Vibert and Co., Currier and Ives, illustrated magazines, Godey’s Lady’s Book, Graham’s Lady’s and Gentleman’s Magazine, Peterson’s Magazine, and Sartain’s Union Magazine

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