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Downhome GospelAfrican American Spiritual Activism in Wiregrass Country$
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Jerrilyn McGregory

Print publication date: 2010

Print ISBN-13: 9781604737820

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781604737820.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 30 March 2020

“God Has Smiled on Me”

“God Has Smiled on Me”

Traditional Gospel

Chapter:
(p.100) Chapter 5 “God Has Smiled on Me”
Source:
Downhome Gospel
Author(s):

Jerrilyn McGregory

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781604737820.003.0005

This chapter examines the evolution of shape-note singing conventions in Wiregrass County. It suggests that the introduction of traditional gospel music and a choral response resulted in the major transformation of the singing conventions in the region. The chapter also highlights the role of Thomas Dorsey in the changes in the performance of sacred music, particularly the Thomas-Grady Counties Singing Convention, and contends that musicologists have incorrectly identified the North as the site for the early spread of the gospel blues.

Keywords:   shape-note singing, singing conventions, Wiregrass County, gospel music, choral response, Thomas Dorsey, sacred music, Thomas-Grady Counties, Singing Convention, gospel blues

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