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Global NeorealismThe Transnational History of a Film Style$
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Saverio Giovacchini and Robert Sklar

Print publication date: 2011

Print ISBN-13: 9781617031229

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781617031229.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 02 April 2020

Introduction

Introduction

The Geography and History of Global Neorealism

Chapter:
(p.3) Introduction
Source:
Global Neorealism
Author(s):

Saverio Giovacchini

Robert Sklar

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617031229.003.0001

This introductory chapter begins by considering the debate over the definition and style of neorealism and efforts to determine the historical intellectual origins of Italian neorealism. It then provides an overview of the main themes covered in the subsequent chapters, including how cinema became truly global in the aftermath of World War II; the beginnings of the global context of neorealism in the 1930s; and the connection between Italian cinema, neorealism, and the mythology of the so-called italiani brava gente (Italian nice folk).

Keywords:   Italian neorealism, cinema, italiani brava gente

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