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Global NeorealismThe Transnational History of a Film Style$
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Saverio Giovacchini and Robert Sklar

Print publication date: 2011

Print ISBN-13: 9781617031229

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781617031229.001.0001

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Importing Neorealism, Exporting Cinema

Importing Neorealism, Exporting Cinema

Indian Cinema and Film Festivals in the 1950s

Chapter:
(p.178) Importing Neorealism, Exporting Cinema
Source:
Global Neorealism
Author(s):

Neepa Majumdar

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617031229.003.0011

This chapter explores 1950s discussions of realism in India as catalyzed by what filmmakers and audiences described as the eye-opening experience of watching the three Italian neorealist films that were screened at the first International Film Festival in India, held from January 24—February 1, 1952. Specifically, it considers this festival’s impact, and its echoes in cinematic and journalistic discourse in the early 1950s. Within the discourse of realism, one can find a continuum of films ranging from mainstream studio products such as Footpath (Zia Sarhady, 1953) to hybrid independent and studio films such as Do bigha zamin (Two Acres of Land, Bimol Roy, 1953) to state-supported independent films such as Pather panchali.

Keywords:   realism, Indian cinema, International Film Festival, India, Italian neorealist films

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