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Global NeorealismThe Transnational History of a Film Style$
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Saverio Giovacchini and Robert Sklar

Print publication date: 2011

Print ISBN-13: 9781617031229

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781617031229.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 17 October 2019

Neorealism and Nationalist African Cinema

Neorealism and Nationalist African Cinema

Chapter:
(p.194) Neorealism and Nationalist African Cinema
Source:
Global Neorealism
Author(s):

Sada Niang

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617031229.003.0012

This chapter examines the influence of Italian neorealism on the Francophone African cinema of the nationalist period (1960>–75), and discusses the historical, institutional, and aesthetic affinities between these practices, which point to similar conditions, comparable histories, and a “convergence in necessity.” They show that African cinema did not become global in one fell swoop. Its globality was present from the beginning, nurtured by scholarship, aesthetic choices, and the cinema culture of the filmmakers.

Keywords:   Italian neoralism, Francophone African cinema, nationalist period

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