Flags in the Dust and the Birth of a Poetics
Flags in the Dust and the Birth of a Poetics
This chapter focuses on the publication history of William Faulkner’s third novel Flags in the Dust (which would be retitled Sartoris) and its rejection by the publishing house Horace Liveright. It suggests that readers for Liveright judged the novel’s structure haphazard and fragmented because they initially could not comprehend Faulkner’s emerging aesthetic. By contrast, Jean-Paul Sartre of France was able to grasp the nature of Faulkner’s textual experiments early on, probably because the latter’s poetic reminds him of that of Honoré de Balzac. Both Balzac and Faulkner developed a distinct sense of place and a richly detailed prose style to create “tapestry-like fiction.” The chapter argues that Faulkner had actually carefully designed what initially seemed haphazard prose. It also discusses many similarities between Flags in the Dust and another Faulkner novel, The Sound and the Fury, highlighting their close intertextual links and parallels between their “deliberate and revolutionary poetics.”
Keywords: poetics, William Faulkner, publishing house, Horace Liveright, Jean-Paul Sartre, Honoré de Balzac, prose, tapestry-like fiction
University Press of Mississippi requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.