Show Summary Details
- Title Pages
- Dedication
- Introduction
- Note on the Conference
- Flags in the Dust and the Birth of a Poetics
- “In Conflict with Itself”
- Faulkner’s Figures
- “That City Foreign and Paradoxical”
- Sanctuary’s Reversible Bodies
- The Secret Machinery of Textuality, Or, What Is Benjy Compson Really Thinking?
- Visualizing Light in August
- The Impenetrable Lightness of Being: Miscegenation Imagery and the Anxiety of Whiteness in Go Down, Moses
- Intertextual Geographies of Migration and Biracial Identity
- “I Sees De Light, En I Sees De Word”
- The Weird Stuff
- Contributors
- Index
(p.ix) Introduction
(p.ix) Introduction
- Source:
- Faulkner and Formalism
- Publisher:
- University Press of Mississippi
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- Title Pages
- Dedication
- Introduction
- Note on the Conference
- Flags in the Dust and the Birth of a Poetics
- “In Conflict with Itself”
- Faulkner’s Figures
- “That City Foreign and Paradoxical”
- Sanctuary’s Reversible Bodies
- The Secret Machinery of Textuality, Or, What Is Benjy Compson Really Thinking?
- Visualizing Light in August
- The Impenetrable Lightness of Being: Miscegenation Imagery and the Anxiety of Whiteness in Go Down, Moses
- Intertextual Geographies of Migration and Biracial Identity
- “I Sees De Light, En I Sees De Word”
- The Weird Stuff
- Contributors
- Index
