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Autobiographical ComicsLife Writing in Pictures$
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Elisabeth El Refaie

Print publication date: 2012

Print ISBN-13: 9781617036132

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781617036132.001.0001

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Performing Authenticity

Performing Authenticity

Chapter:
(p.135) Chapter 4 Performing Authenticity
Source:
Autobiographical Comics
Author(s):

Elisabeth El Refaie

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617036132.003.0005

This chapter describes how authenticity is typically associated with being realistic, genuine, and true to the essence of something. The concept of authenticity also applies to the visual field, where it can be defined very loosely as any image that lays claim to a privileged, transparent relationship to its object of representation. Visual authenticity can be based on picture-immanent features, but it is more often contextual, drawing its power from the myths surrounding the individual images or types of images or from the “performed” integrity of the image producer. The concept of authenticity is, however, notoriously slippery. Notions of the authentic self, the authentic self-narrative, and the authentic image are always inevitably socially constructed and deeply evaluative.

Keywords:   authenticity, visual field, object of representation, visual authenticity, image producer

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