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Twain's BrandHumor in Contemporary American Culture$
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Judith Yaross Lee

Print publication date: 2012

Print ISBN-13: 9781617036439

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781617036439.001.0001

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Standing Up

Standing Up

The Self-Made Comedian

Chapter:
(p.27) Chapter Two Standing Up
Source:
Twain's Brand
Author(s):

Judith Yaross Lee

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617036439.003.0002

This chapter shows how performances that exploit the comically unstable persona for humorous effect update Twain’s brand of humor for contemporary audiences. In American literary humor, a second hallmark of Twain’s brand lives on in the form of the comic cross-cultural contrast. Mark Twain, throughout his career, mined a nationalist strand of literary humor that celebrated American separation from imperial Britain through comically invidious contrasts of American values, language, characters, and experience with those of other cultures, especially the ostensibly more cultivated European aristocracies and their descendents among educated Americans. Stand-up comedians perform oral narratives, usually monologues, in which they appear to express themselves rather than play a role. The genre of stand-up comedy actually encompasses a broad continuum of live performances ranging from solo and small-group verbal, musical, or physical clowning to direct joke telling and social commentary.

Keywords:   unstable persona, contemporary audiences, American literary humor, cross-cultural contrast, nationalist strand

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