The “Alabama Style” and the Birth of Gospel Quartet Singing in New Orleans
The “Alabama Style” and the Birth of Gospel Quartet Singing in New Orleans
This chapter discusses the emergence of religious quartet singing in New Orleans. In the 1930s, quartet trainers from Alabama introduced a dynamic new style of harmonizing that sparked a “quartet fever” in New Orleans’ black working-class neighborhoods. Quartets in New Orleans developed a subtler blend of voice culture, vernacular innovation, and religious fervor.
Keywords: religious quarter singing, Alabama, quartet singers, voice culture
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