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Desi DivasPolitical Activism in South Asian American Cultural Performances$
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Christine L. Garlough

Print publication date: 2013

Print ISBN-13: 9781617037320

Published to University Press of Mississippi: March 2014

DOI: 10.14325/mississippi/9781617037320.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 01 April 2020

Toward Acknowledgment

Toward Acknowledgment

Care in Diasporic Performances

Chapter:
(p.3) Chapter One Toward Acknowledgment
Source:
Desi Divas
Author(s):

Christine L. Garlough

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617037320.003.0001

This chapter begins the discussion of how performance activists advocate a political commitment to justice and care through their performance art. The chapter opens with the story of Shyamala Moorty, and her 2005 performance of Rise in front of a mainstream and South Asian American community in Madison, Wisconsin. Shyamala begins to tell a story that was not uncommon, especially after the events of 9/11. In fact, incidents of bias, hate crimes, profiling, and discrimination against South Asians showed a record increase. Shyamala’s performance portrays her bicultural ethnicity, her body combining ballet, a traditional Indian dance called Bharatanatyam, and contemporary dance movements. This South Asian American activist’s performance of Rise extends an invitation, then a call for acknowledgement, that begs for more tolerance or simple recognition. Her performance molds together personal testimony and cultural forms in new and inventive ways, in the hope of eliciting a sense of concern, care, and compassion from her audience.

Keywords:   performance activists, Shyamala Moorty, Rise, South Asian American community, bicultural ethnicity, Bharatanatyam, contemporary dance, acknowledgement

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