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Louisiana Creole LiteratureA Historical Study$
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Catharine Savage Brosman

Print publication date: 2013

Print ISBN-13: 9781617039102

Published to University Press of Mississippi: May 2014

DOI: 10.14325/mississippi/9781617039102.001.0001

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PRINTED FROM Mississippi SCHOLARSHIP ONLINE (www.mississippi.universitypressscholarship.com). (c) Copyright University Press of Mississippi, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSSO for personal use.date: 19 October 2019

King, Stuart, and Others

King, Stuart, and Others

Chapter:
(p.131) Chapter Eleven King, Stuart, and Others
Source:
Louisiana Creole Literature
Author(s):

Catharine Savage Brosman

Publisher:
University Press of Mississippi
DOI:10.14325/mississippi/9781617039102.003.0011

This chapter deals with the careers and work of three conservative Anglophone fiction writers from the last decades of the nineteenth and early twentieth centuries, Grace King, Sallie Rhett Roman, and Ruth McEnery Stuart. None was of an ethnic Creole family, but they had Creole connections and wrote on Creole society, which they knew well. King’s Balcony Stories, Monsieur Motte, and Tales of a Time and Place , all of which depict the New Orleans Creole world and the enduring caste system, receive close attention. Stuart’s The Story of Babette, a Little Creole Girl, is likewise examined. By close reading and identification of critics’ presentism, the chapter responds to accusations of racism and sexism made by Helen Taylor, A. S. Elfenbein, and others against King and Stuart. King’s “The Little Convent Girl” is compared to stories by George Washington Cable.

Keywords:   Grace King, Ruth Stuart, Monsieur Motte, Racism and sexism, Presentism

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